Christ comes to the world as the example, constantly enjoining: Imitate me. We humans prefer to adore him instead. – Quote by Soren Kierkegaard (1813-1855).
To adore Christ means, in the sense that Kierkegaard uses the verb, to idolize him. When you idolize someone else, it often means that you secretly want to become this other person, that you want to take his ‘royal’ place, sometimes even by ‘murdering’ him. In other words, to idolize someone means that you’re not satisfied with yourself, that you’re not accepting yourself, that you don’t experience love for who you are. This explains why we tend to look for what others designate as desirable, and why we want to obtain a desirable position ourselves – i.e. why we want to become ‘perfect’ and ‘divine’ idols ourselves. For obtaining a desirable position seems to fulfill our need to feel loved. However, in the process of surrendering to an imitation of the desires of others we simply lose ourselves. Guided by what René Girard calls ‘mimetic’ (i.e. ‘imitative’) desire, we often want things for ourselves which alienate us from our ‘true’ nature and from our own, unique vocation. So, near the end of this process we’re not loved for who we are but because of the ‘status’ we seem to have gained. Jesus magnificently points out this tragic paradox: “For whoever wants to save their life will lose it… What good is it for someone to gain the whole world, and yet lose or forfeit their very self?” (Luke 9:24a-25).
Sometimes the devil wants you to think that until you’re perfect don’t go talking to God. – Quote by C.C. DeVille.
As you can see in the film below, C.C. DeVille – what’s in an artist’s name? –, guitarist of ‘hair metal, glam rock’ band Poison, clearly understands how his early life relied heavily on the principles I just described. He admits giving in to an unhealthy sense of pride, to a desire for ‘status’. He quite literally says he wanted others to be envious of him. Indeed, envy is the negative side of mimetic desire, the flipside of admiration, and for a person who desires to be desirable it is a big achievement to feel envied. Yet C.C. DeVille felt his life was not fulfilled. He was not happy until he experienced, in his own words, ‘God’s grace’. He discovered the ‘unconditional love’ by which he was finally able to accept himself. The paradox is that, by obeying God’s call through Christ, he became free. “For whoever wants to save their life will lose it but whoever loses their life for me will save it,” Christ claims (in the completed Luke 9:24). That’s exactly what C.C. DeVille discovered, for truly imitating Christ means to accept yourself and others, not to be ashamed of oneself, and to be enabled to grow towards one’s ‘real’ and ‘honest’ vocation. It’s only when we’re accepting ourselves that we are able to approach others, not as means to fulfill our need to feel loved, but as the true ‘goals’ of our lives in the realm of Love, in the realm of a giving Grace that wants to be ‘imitated’ – and to imitate giving means to become ‘givers’ ourselves. That’s why St. Francis (1181-1226) prays: “O Lord, grant that I may not so much seek to be loved, as to love…”
Being free means ‘being free for the other,’ because the other has bound me to him. Only in relationship with the other am I free. – Quote by Dietrich Bonhoeffer.
We are relational beings. We don’t develop relationships ‘out of the blue’, from a primal ‘individual freedom’. On the contrary, it’s the quality of our relationships which decides whether we become free or not – are we led by fear, envy and pride or by trust, grace and truthful honesty?
This post might seem a little weird. I realize that. Few of my friends in the world of music understand why I like ‘hair metal’ so much. This particular brand of rock music has never been a favorite among established pop criticism. I discovered it as a kid, and I was attracted first by the colorful extravaganza of the bands, the big choruses of the songs and the sheer joy displayed in live shows. ‘Hair metal’ felt like summer to me. Later on I discovered that behind this joyful image there often lurked an empty world of drug abuse, superficial relationships without real intimacy and just plain decadence. Yet, at the same time, some of the songs had a melancholic feel which betrayed a longing for more sustainable experiences in life.
Guitarist C.C. DeVille articulates this longing of ‘the soul’ in the following interview. I combined it with quotes by famous thinkers, mostly Christian. One of my pupils, who commences studies in philosophy next year, convinced me to try working with quotes. So, here you have it. I hope I’m able to show in this way that C.C. DeVille really understands what Christianity is all about. Because, let’s face it, especially in the academic world we all too often look down on the so-called ‘superficial’ world of popular culture. Well, at the margins of that world, at what seems to be the pinnacle of superficiality, we have a band like Poison. I dare you, dear reader, to look beyond everything you think to know about bands like these, and to move beyond certain ‘mimetic’ processes which convinced you to dismiss the members of ‘glam metal’ bands. True, Poison might not have written the best songs ever, but I do believe their music is honest – ‘what you hear is what you get’. And if you’re still looking for unexpected complexity and sophistication in this music genre, try a band like Winger – great musicianship combined with the compositional talents of lead singer Kip Winger (as is evidenced by his solo efforts).
Now, watch the interview with C.C. – what you see is what you get –, and click here
– CLICK TO WATCH:
Klik hier voor een Nederlandstalige weergave van de gebruikte
CITATEN VAN (VOORAL CHRISTELIJKE) DENKERS (PDF).
CLICK HERE TO READ THE PROGRAM (PDF)
The Negro, the world over, is famous as a mimic. But this in no way damages his standing as an original. Mimicry is an art in itself [and] he does it as the mocking-bird does it, for the love of it, and not because he wishes to be like the one imitated.
Mimetic Margins 