Shane Koyczan is a spiritual man. A man of poetry and gentle madness. A man of stories, a man of truth. A man of beauty. His poem To This Day would be a great way to end a first part of a journey with mimetic theory in high school, especially regarding what I’ve written so far on the film American Beauty. It could follow these posts:
- Mimetic Theory in High School (click to read)
- Types of the Scapegoat Mechanism (click to read)
- Scapegoating in American Beauty (click to read)
- Philosophy in American Beauty (click to read)
- Real Life Cases of Ressentiment (click to read)
To This Day and Shane’s TED-talk contain many themes I’ve written about before, for instance in a post entitled Atheism: a lack of unbelief?:
A person’s worth cannot be determined solely by human perception and judgment. Man is not simply the child of a “social other”, i.e. the product of a man-made social environment in which he gains or loses a sense of (self-) worth. He’s also, following the thoughts of people like James Alison and Emmanuel Levinas, a child of “the other Other”, and we should postpone any final judgment on other people and ourselves.
It also reminded me of this famous quote: “Every finite spirit believes either in a God or in an idol” (Max Scheler, 1874-1928). I wrote about this in several posts before, for instance in a post entitled That is (not) the question, about rap star Diam’s conversion to Islam – it talks about how we have the tendency to sacrifice ourselves and others to the demands of a so-called admirable (self-)image that seeks confirmation and recognition:
Diam’s discovered how she tried to live up to the expectations of her fans, and how this enslaved her. She was kneeling to an image of herself as the admirable idol her fans wanted her to be. Kneeling to Allah, on the other hand, apparently meant that Diam’s no longer bowed to the demands of the music and entertainment industry. It was a turning point in her life. It enabled her to free herself, and to criticize the priorities in her life. From now on, she would seek and explore another source of motivations for her life.
Finally, Shane Koyczan’s story is reminiscent of Peter Howson’s story in a post entitled Desert Moments with Peter Howson:
“I used to be very badly bullied at school and when I was a bouncer in a nightclub for quite a few years I changed in a false sense then, and became a bully myself.” In other words: Howson became the imitator of his persecutors… He followed the mimetic principle of vengeance.
CLICK TO WATCH the video To This Day (click here to read the lyrics in pdf):
I’d like to give some quotes from his TED-talk as well, because they illustrate some key insights from René Girard’s mimetic theory and they reminded me of those previous posts:
We were expected to define ourselves at such an early age, and if we didn’t do it, others did it for us. Geek. Fatty. Slut. Fag. And at the same time we were being told what we were, we were being asked, “What do you want to be when you grow up?” I always thought that was an unfair question. It presupposes that we can’t be what we already are.
See, they asked me what I wanted to be, then told me what not to be. And I wasn’t the only one. We were being told that we somehow must become what we are not, sacrificing what we are to inherit the masquerade of what we will be. I was being told to accept the identity that others will give me.
One of the first lines of poetry I can remember writing was in response to a world that demanded I hate myself. From age 15 to 18, I hated myself for becoming the thing that I loathed: a bully. When I was 19, I wrote, “I will love myself despite the ease with which I lean toward the opposite.”
CLICK TO WATCH Shane’s TED-talk: