Killing Idols – Commemorating René Girard’s Spirituality

“In the end, she’s just a mere mortal, just like all the rest of us, just like me…” It’s something we hear quite often, explicitly or implicitly, when people talk about “the rich, the famous and/or the geniuses” of this world. Why is it that we often like to read what tabloid newspapers write about these people? Why is it that we often like to gossip about our local or global heroes or celebrities? What kind of desire is satisfied that we enjoy this kind of thing?

Well, for one thing, we’re living in a world of internal mediation (René Girard). Modern democracy got rid of a social hierarchy – in principle that is – and now everyone can take everyone else as a model or mediator for personal ambitions. Premodern societies would not allow “the lower ranks” to compare themselves to the higher-ups, thus trying to keep an internal order and stability. Today, however, everyone can rival the position of everyone else, based on the premise of equal rights and chances for all. Thomas Hobbes (1588-1679) sharply characterizes this situation and its potential destructive consequences in his work Leviathan, at the dawn of modernity:

“From this equality of ability ariseth equality of hope in the attaining of our ends. And therefore, if any two men desire the same thing which nevertheless they cannot both enjoy, they become enemies; and, in the way to their end, which is principally their own conservation and sometimes their delectation only, endeavour to destroy or subdue one another.” – Thomas Hobbes, Leviathan (XIII).

“Competition of riches, honour, command, or other power, inclineth to contention, enmity, and war; because the way of one competitor, to the attaining of his desire, is to kill, subdue, supplant, or repel the other. Particularly, competition of praise inclineth to a reverence of antiquity. For men contend with the living, not with the dead, to these ascribing more than due, that they may obscure the glory of the other.” – Thomas Hobbes, Leviathan (XI).

StarsWe constantly receive the message that “everything is possible with hard work and perseverance”. On the other hand we also experience that some people seem “ahead of others”. These so-called “winners” are often admired, but in other circumstances they’re envied (also by some of their admirers!) as they seem to frustrate the ambitions they awaken in other people. One way to deal with the frustrations arising out of the comparison with “the people ahead of others” is to downplay their status or success by convincing ourselves that “they are just like us” – mere mortals, with flaws, everyday struggles and problems. Or by convincing ourselves that “they are even less like us, we’re superior to them” – in moral terms, for instance, by portraying them as “decadent” or “corrupt”. One could say that the sociological function of the tabloid newspaper or of gossip in general is precisely that. It helps us deal with the fact that we are not part of the world of “the rich, the famous and/or the geniuses” by comforting ourselves with the thought that those people are, at least, “just like us”.

they're not like usBy downplaying the status of “stars” we try to elevate our own position, we try to reach the status we desire. We try to surpass the status we initially (sometimes subconsciously) admired and idolized, then came to envy and eventually resented. In yet other words, the position of others we sometimes initially idolized is replaced by a feeling of superiority of ourselves. Instead of idolizing the image of others, we idolize a certain self-image. That’s why we quite easily distance ourselves from those others who are perceived as “marginal people” – be it criminals, poor people, crazy people, certain sick people, refugees, drug addicts, or “sinners”. Contrary to our often initial reaction to “the stars” in the tabloids, our first response to a confrontation with “the marginal people” is often the feeling that “they are not like us”.

In both instances our sense of identity and self-idolatry arise from our spontaneous tendency to compare ourselves to others (made possible by our mimetic – i.e. imitative – abilities). One of the main reasons why people are scandalized by Jesus of Nazareth is that he constantly challenges these narcissistic self-concepts. See, for instance, Luke 18:9-14:

To some who were confident of their own righteousness and looked down on everyone else, Jesus told this parable: “Two men went up to the temple to pray, one a Pharisee and the other a tax collector. The Pharisee stood by himself and prayed: ‘God, I thank you that I am not like other people—robbers, evildoers, adulterers—or even like this tax collector. I fast twice a week and give a tenth of all I get.’

But the tax collector stood at a distance. He would not even look up to heaven, but beat his breast and said, ‘God, have mercy on me, a sinner.’

I tell you that this man, rather than the other, went home justified before God. For all those who exalt themselves will be humbled, and those who humble themselves will be exalted.”

In short, the narcissist – like the Pharisee in the parable of Jesus – distances himself from “the bad guys” (they’re not like me) while he downplays the geniuses around him (they’re like me), in order to idolize his self-image. Our ideologies and all sorts of so-called “spirituality” or “meditation” are often at the service of the untruthful, non-realistic ideas of ourselves. They make us “feel good” and “happy”, like some antidepressant pills we take, and they alienate us from ourselves and others. The ideology of a terrorist group like ISIS is but one extreme example of a false spirituality. “Snobbery” and the “bourgeois mentality” another. On the other hand, every true spirituality has to do with some kind of permanent crisis of the narcissistic self-concept or “Ego”. It shatters our self-righteousness and complacency, and makes us realize that we are never perfect, never complete, never finished.

While all of this might seem devastating at first, it is also liberating, especially when experienced in the realm of forgiveness. Once you realize that you are not that unique, that you are more like “the sinners” (the majority of mankind) than you would acknowledge previously, and that you are less like “the righteous” than you thought you were, you become less ashamed of yourself. If there is shame in this realization, then it is the shame of the hurt you brought to others while you were practicing the idolatry of a certain (self-)image. “To kill the idol of self-complacent narcissism” thus might be the beginning of a restoration of the love in and between ourselves and others.

René Girard explains how this realization in forgiveness  (that people are more like “sinners” than they would acknowledge) is at the core of the conversion experience of Peter, Paul and the other disciples of Jesus. What enables Peter, Paul and others to become “saints” thus precisely and paradoxically is their realization that they are not “saints” (i.e. that they are far from ever being “perfect”). This truly spiritual experience, which enables people to face reality, is also the experience that guided René Girard himself throughout his life. René Girard gets to the essence of what a conversion to Christ should be all about in his explanation of the denial of Peter (click to watch):

An anecdote of C.S. Lewis (who converted from atheism to Christianity, as is well-known) also illustrates quite nicely how the acknowledgement that we are more like the so-called “bad people who bring misery upon themselves” restores neighborly love – thus is the inspiration of Christ:

C S LewisOne day, Lewis and a friend were walking down the road and came upon a street person who reached out to them for help. While his friend kept walking, Lewis stopped and proceeded to empty his wallet. When they resumed their journey, his friend asked, “What are you doing giving him your money like that? Don’t you know he’s just going to squander all that on ale (beer)?” Lewis paused and replied, “That’s all I was going to do with it.”

“To kill the idol of self-complacent narcissism” also opens up the possibility of further personal growth (contrary to the situation of the self-complacent person who thinks he “has arrived”) and a more truthful connection to reality as a whole. Indeed, our mimetic ability might stir some frustrations as we compare ourselves to others and find that we cannot achieve what they achieved, but it also allows us to discover the other as “other” than ourselves. Instead of reducing the other to a mere idol or puppet at the service of non-realistic ideas of ourselves (be it ideas of unworthiness or superiority, or both), we then also might discover the other as a source of inspiration. Once we find ourselves loved for who we are, we can enjoy the talents of others without feeling threatened, or without the tendency to downplay the unique gift they bring to the table. Instead of bowing to the false (because untruthful) transcendence of narcissistic self-concepts, we can then be inspired by the other who is not like us – and in that sense truly transcends us. The paradox is that this kind of relationship allows the other and ourselves to be uniquely “our own”. To put it simply: I don’t have to be the next Lionel Messi in soccer to be inspired by the dedication he brings to his craft. I can imitate his kind of dedication in my own “field” without becoming him, or rivaling him. On the contrary, loyal to my own unique “vocation” I can take his genius as a model, becoming more “who I am” than before. In short, next to all the variants of idolatry and detestation in our relationship to others, there is the attitude of inspiration and being inspired. The first find their source in love for one’s self-image, the second in love for oneself and others.

So yes, Mahatma Gandhi, Martin Luther King, Dietrich Bonhoeffer, Albert Einstein, Charles Darwin, Blaise Pascal, Wolfgang Amadeus Mozart, Johann Sebastian Bach, Francis of Assisi, Jesus of Nazareth and the Buddha are geniuses. They are “not like us”, they are “not like me”. And yes, they are “mortals” one way or the other, but they also gave something to the world from a realm “that lasts”. To be inspired by them is to be inspired to a life of an often demanding and difficult, but also enduring and eventually fulfilling love. A love that allows us “to find our own voice and genius” and enables us “to add something that lasts, even if it’s not directly visible or measurable”.

René Girard (December 25, 1923 – November 4, 2015), his person and his work, testified to Love in unique and humble ways. He will be among the sources of inspiration, together with “all God’s children” – the meek and lowly in heart.

The Church of David LaChapelle

Let me start off with a short introduction to the spiritual life of David LaChapelle – click to watch the following interview (online version October 15, 2008)

– CLICK TO WATCH:

A lot of Christians might feel shocked when they first encounter the work of David LaChapelle. A renowned photographer and film-maker, LaChapelle is equally ranked among The Top Ten Most Important People in Photography in the World by American Photo as he is sometimes scornfully called the king of ‘kitsch’ or, bluntly, of ‘bad taste’ by his adversaries. The artist isn’t too proud to answer his critics:

“I use pop imagery – that’s my vocabulary; glamour and beauty is my vocabulary. They get angry when you use pop imagery (the things that are accessible) to talk about anything other than the completely superficial. And you know what? Let ’em be angry … I’m into narrative and clarity. I’m not into obscurity. I’m not into people having to read and research – I’m just into the title, and the image, and the image being the language. If people don’t want to take ten seconds to look at a picture and put it together, I can’t help that, but I stand by it and I love it. And I will keep doing it. And I ain’t going away.” (Taken from an interview for Dazed and Confused, March 2010, by Anna Carnick).

LaChapelle’s work displays a tremendous knowledge and admiration of western art’s history, and is peppered with Christian symbolism and imagery, as is shown especially by the ‘Jesus is My Homeboy’ and ‘American Jesus’ series.

The American Jesus series revolves around images of Michael Jackson (a lookalike that is), depicted in various Biblical and even typically Catholic scenes. If some Christians already find these questionable or offensive, they will really get irritated by the image entitled ‘Thy Kingdom Come’, which features a papal figure sitting on a throne before a pile of dead, naked men. The photographer seems to easily condemn the Catholic Church. However, when asked about his intentions behind his particular treatment of forms of corruption within the Church, LaChapelle answers with wit and nuance:

“I’m not condemning the Catholic Church — it’s too big, it’s like condemning a nation and that would be prejudiced. But what I’m doing here is pointing out an irony: Here you have an institution that has systematically protected pedophile priests and then you have an innocent Michael Jackson, who California spent millions of dollars trying to prosecute and could not do it because it was complete bulls–t.” (Taken from an interview for WWD, issue 07/13/2010, by Amanda Fitzsimons).

Moreover, LaChapelle has no problems whatsoever referring to his Catholic upbringing (the quote is taken from the same interview for WWD):

“I still go to church occasionally. I went the other day and found peace. I had this duality growing up with my dad being a strict Catholic and his brother being a priest and my mother finding God in nature, so I’ve taken a little from both [traditions].”

From the point of view of his Christian background, it’s no coincidence that LaChapelle has developed a special interest for two groups of people in particular: rich and famous celebrities on the one hand, and economically deprived young people on the other. His preoccupation with the Christ figure has led him to some enthralling insights. Those familiar with mimetic theory will find them fascinating as well.

I’m glad to share David LaChapelle’s views in the following two sections.

1. The sacrificial celebrity cults as producers of modern day ‘scapegoat-gods’

The biblical writings unanimously reject phenomena like gossip and the spread of false rumors about other people. Already one of the ten commandments forbids ‘to give false testimony against a neighbor’ (Exodus 20:16).

Those who gossip – and we are all tempted to do so from time to time – create alliances based on the exclusion of the one who is gossiped about. The Book of Proverbs warns for the seductive nature of voyeurism, and its destructive, dehumanizing consequences. People shouldn’t deliver themselves too easily to the delights of gossip:

Remove perverse speech from your mouth;  keep devious talk far from your lips. (Proverbs 4:24).

The north wind brings forth rain, and a gossiping tongue brings forth an angry look. (Proverbs 25:23).

Where there is no wood, a fire goes out, and where there is no gossip, contention ceases. Like charcoal is to burning coals, and wood to fire, so is a contentious person to kindle strife. The words of a gossip are like delicious morsels; they go down into a person’s innermost being. Like a coating of glaze over earthenware are fervent lips with an evil heart. The one who hates others disguises it with his lips, but he stores up deceit within him. When he speaks graciously, do not believe him, for there are seven  abominations  within him. Though his hatred may be concealed by deceit, his evil will be uncovered in the assembly. The one who digs a pit will fall into it; the one who rolls a stone – it will come back on him. A lying tongue hates those crushed by it, and a flattering mouth works ruin. (Proverbs 26:20-28). 

A gossiped-about person is either spoken of in unrealistically praiseful terms, or, on the contrary, in a non-proportional degrading way. In other words, gossiped-about persons become the ‘sacred’ glue that hold certain communities together. The gossiped-about persons become divinized idols or equally deceitfully presented demonized ‘monsters’. David LaChapelle, inspired by his Christian background, clearly understands these mechanisms, as is demonstrated in an interview with digital magazine Nowness:

It is definitely true that celebrities are our modern day gods and goddesses, and we build them up and tear them down.

Madonna has been torn down. Michael Jordan has been torn down. Michael Jackson was destroyed. Like no other person in our times. You have to remember that Michael Jackson was innocent. He was proved innocent in our courts. If you read the transcripts of the trial it is insanity, it should never have gone to court. We spent tens of millions of dollars to prosecute him when we don’t have money for schools in California.

Why is that?

Not because he was a celebrity but because he looked different. He was obsessive about privacy and it made him “other,” it made him different, and he went from being the most famous, most beloved singer to the most reviled, joked about—he couldn’t open a newspaper without reading horror stories about himself.

Judeo Christian Scripture unveils and denounces the mechanisms by which a human being’s true, imperfect ‘black-and-white’ nature is sacrificed for the sake of an unreal ‘image’. David LaChapelle saw this happening to Michael Jackson (in the aforementioned interview with WWD):

WWD: Why did you choose to photograph Michael in a variety of religious scenes?

David LaChapelle: Michael had paintings of himself at Neverland depicting himself as a knight and surrounded by cherubs and angels. People might think he’s an egomaniac, but he’s not. It’s because the world turned against him. I mean, Michael couldn’t even get B-listers to show up for the second trial. [With these pictures he’s saying] “I’m not the joke and the horror the media is making me out to be.”

WWD: Michael stars in the show’s title piece “American Jesus.” Do you believe him to be a modern-day Jesus?

D.L.: I believe Michael in a sense is an American martyr. Martyrs are persecuted and Michael was persecuted. Michael was innocent and martyrs are innocent. If you go on YouTube and watch interviews with Michael, you don’t see a crack in the facade. There’s this purity and this innocence that continued [throughout his life]. If it had been an act, he couldn’t have kept it up. If you watch his [1992] concerts from Budapest and compare it to a Madonna concert of today, you’ll see such uplifting beauty and a message that you won’t see in any other artist of our time.

In the interview with the aforementioned Nowness LaChapelle goes even further and states:

We persecuted Michael Jackson. Every person who ever bought a tabloid or watched the news, we all contributed to his death by taking in that form of gossip.

The Bible is concerned with ‘truth’ and takes sides with the wrongfully presented and the wrongfully accused persons – the scapegoats! The prophet Isaiah calls out to the people of Israel:

“You must remove the burdensome yoke from among you and stop pointing fingers and speaking sinfully.” (Isaiah 58:9b).

 Jesus, the one who is called the Christ, even goes so far as to bless the victims of gossip and false rumors:

 “Blessed are you when people insult you and persecute you and say all kinds of evil things about you falsely on account of me.” (Matthew 5:11).

It is no coincidence then that the easily gossiped-about persons in the Jewish community at the time of the New Testament, like prostitutes or the infamous tax collectors, are among Christ’s favorites. He shares meals with these ‘sinners’, like with the tax collector Zacchaeus (Luke 19:1-10). Even one of his apostles – Levi or ‘Matthew’ – is known to be a former tax collector (Luke 5:27-39).

The apostle Paul asks us to transform our imitative, mimetic abilities in order to become ‘children of God’. Instead of reinforcing processes of victimization by imitating the ones who gossip and ‘point fingers’, he asks us to become ‘imitators of Christ’. Christ is the One who was eventually sacrificed, because he completely delivered himself to Compassion:

Be imitators of God as dearly loved children and live in love, just as Christ also loved us and gave himself for us, a sacrificial and fragrant offering  to God. […] There should be no vulgar speech, foolish talk, or coarse jesting – all of which are out of character – but rather thanksgiving. For you can be confident of this one thing: that no person who is immoral, impure, or greedy (such a person is an idolater) has any inheritance in the kingdom of Christ and God. (Ephesians 5:1-5).

Christ completely imitated and ‘incarnated’ his ‘Father’ – a Love which ‘refuses sacrifice and desires mercy’ – see for instance Matthew 9:13. Therefore Christ could not defend himself by starting some sort of ‘civil war’, because that would imply sacrifices of others. In any case, Christ doesn’t want us to be suicidal, but he is very much aware of the risks in taking sides with the excluded and the outcasts. It might mean that these become members of the community again, but it might also have as a consequence that the outcast’s defender is excluded oneself and that he ‘has to take up his cross’ to be ‘crucified’. Christ’s preference for the victims of gossip and rumors indeed often meant he himself became gossiped-about. Nevertheless, he kept approaching people like tax collectors in liberating ways. Many a victim of gossip, like these tax collectors at the time of Jesus, imitates the reasoning of his attackers and thinks it’s ‘part of the deal’ of being a ‘celebrity’. Jesus points out that people shouldn’t accept being gossiped about by the self-declared ‘righteous’ and ‘elected’:

Jesus told this parable to some who were confident that they were righteous and looked down on everyone else. “Two men went up to the temple to pray, one a Pharisee and the other a tax collector. The Pharisee stood and prayed about himself like this: ‘God, I thank you that I am not like other people: extortionists, unrighteous people, adulterers – or even like this tax collector. I fast twice a week; I give a tenth of everything I get.’ The tax collector, however, stood far off and would not even look up to heaven, but beat his breast and said, ‘God, be merciful to me, sinner that I am!’ I tell you that this man went down to his home justified rather than the Pharisee. For everyone who exalts himself will be humbled, but he who humbles himself will be exalted.” (Luke 18:9-14).

2. The ‘richness’ of ‘poor’ people and the ‘poverty’ of the ‘rich’

Jesus distinguishes two kinds of motivations to give (of) oneself: there are those who give and sacrifice in order to receive some kind of ‘reward’, and there are those who give in order to let others come to life. The first are the real ‘poor people’ in the eyes of Jesus because they worryingly adhere and enslave themselves to ‘material’, ‘worldly’ things like ‘wealth’ or ‘social status’. They also have the ‘mimetic’ (i.e. imitative) tendency to enviously compare themselves to others and to compete with their thus conceived ‘enemies’ in order to ‘rise above’ them. In the above mentioned parable, Jesus denounces this mechanism wherein people not only sacrifice themselves to a deceitful self-image, but also sacrifice others in presenting them in an equally deceitful and degrading way. Real richness, according to Jesus, comes with those who develop a realistic, ‘truthful’ view about themselves and who are able to give whatever they received:

Jesus looked up and saw the rich putting their gifts into the offering box. He also saw a poor widow put in two small copper coins. He said, “I tell you the truth, this poor widow has put in more than all of them. For they all offered their gifts out of their wealth. But she, out of her poverty, put in everything she had to live on.” (Luke 21:1-4).

David LaChapelle pays particular attention to this kind of unconditional life bringing and therefore community enhancing way of ‘giving’ in his film Rize. Therein socially and economically deprived youngsters aren’t reduced to their situation, but are shown as talented people who are able to rebuild their communities in new, joyful and colorful ways. They really are ‘Church builders’, able to ‘give back’ inspired by the love they experience from each other. From the point of view of mimetic theory, their dancing not only ritualizes mimetic rivalry and restrains violence, but it also celebrates the grateful experience of life itself. Here’s what the synopsis of the film has to say:

“Rize” reveals a groundbreaking dance phenomenon that’s exploding on the streets of South Central, Los Angeles. Taking advantage of unprecedented access, this documentary film brings to first light a revolutionary form of artistic expression borne from oppression. The aggressive and visually stunning dance modernizes moves indigenous to African tribal rituals and features mind-blowing, athletic movement sped up to impossible speeds. “Rize” tracks the fascinating evolution of the dance: we meet Tommy Johnson (Tommy the Clown), who first created the style as a response to the 1992 Rodney King riots and named it “Clowning”, as well as the kids who developed the movement into what they now call Krumping. The kids use dance as an alternative to gangs and hustling: they form their own troupes and paint their faces like warriors, meeting to outperform rival gangs of dancers or just to hone their skills. For the dancers, Krumping becomes a way of life – and, because it’s authentic expression (in complete opposition to the bling-bling hip-hop culture), the dance becomes a vital part of who they are.

Like “Paris is Burning” or “Style Wars” before it, “Rize” illuminates an entire community by focusing on an artform as a movement that the disenfranchised have created. But the true stars of the film are the dancers themselves: surrounded by drug addiction, gang activity, and impoverishment, they have managed to somehow rise above. The film offers an intimate, completely fresh portrayal of kids in South Central as they reveal their spirit and creativity. These kids have created art – and often family – where before there was none.

It is evident that the young dancers are able to found communities in non-exclusive ways. In this way, they really are building the Church – the Community – Jesus dreamt of:

Realizing THOMAS “TOMMY THE CLOWN” JOHNSON had become a positive role model for the kids in South Central, he created the Battle Zone to provide an alternative outlet for the kids in the community to battle it out on the dance floor instead of on the streets. In 2003, Tommy the Clown’s Battle Zone hosted a sold-out performance at the Los Angeles Forum. Tommy continues the battles every third Saturday of every month at Debbie Allen Dance Academy – a non-profit dance studio where kids from the community can learn all forms of dance training. Tommy the Clown emerged as a community icon and was asked to be a spokesperson for Governor Gray Davis’ Census Campaign which involved outreach to schools, neighborhood questionnaire assistance centers and statewide agencies which succeeded with the highest mail-in response rates in four decades. He formed strategic partnerships with counties and cities, all while delivering smiles and laughter. […] Truly an entertainer for all ages, Tommy the Clown’s mission is to reach out to communities across the world that are in need of a positive alternative lifestyle.

DRAGON was born Jason Green in Frankfurt on November 2, 1981. A military baby, he spent his initial years living throughout Germany, his very first in a hospital, the result of being born prematurely. His family eventually moved to California and settled in Compton. Dragon first crossed paths with Tommy the Clown while dancing for Platinum Clowns, a rival clown group, in competition. Dancing since the age of 19, Dragon has appeared in such music videos as Blink 182’s “I’m Feelin’ It,” and in various awards shows including the Choreographer Awards and the 2005 NAACP Awards. Outside of the Clowning world, Dragon is also an accomplished artist whose experience spans across fashion design, the graphic arts, multi-media, airbrushing, and comic book art. Now residing in Carson, CA, Dragon is currently studying to be a minister. He rediscovered the church after years of distancing himself from it, only to realize how truly unhappy he was with his life. Dragon now believes that the principles our nation was established upon – religion, principle, respect – have been compromised by our drive for material things which have no true value. Through the church, he hopes to someday help others find their own spiritual foundation for a happy life.

 TIGHT EYEZ, real name Ceasare Willis, is one of the founders of Krumping. He created the Krump movement in 2000 with his brothers and Lil C and Mijo. While living in New York, Tight Eyez dreamed of launching a dance that would get everyone “hyped up.” He soon moved to Los Angeles and founded Clown dancing, which thereafter evolved into Krumping. He went on to perform with many clown groups before finally meeting and joining creative forces with Tommy the Clown. Tight Eyez has turned his life over to God and changed his life through Jesus. He uses the Krump movement to help young people in faith to change their lives. His goal is to establish his own Krump Organization, of which he would be the CEO, and hopes to open schools for youth to dance, exercise their talent and utilize their inner gifts. Hopefully, by the age of 23…

Christian Jones, a/k/a BABY TIGHT EYEZ, was born and raised in the Church. His grandfather was the founder of the Christian Tabernacle of Love, Faith and Deliverance, and his Aunt is now Pastor of Christian Tabernacle Ministries. After his grandfather passed on in 1998, he took up the organ, which he plays at services. Baby Tight Eyez learned how to Krump dance at the heels of Tight Eyez, Lil C, Mijo, and Dragon, and considers them among his closest friends in the Krump movement. When he is not dancing, he loves to hang with his homies. His goal is to launch a big dance studio where everyone could Krump for free. He would also like to buy his pastors a new church. He hopes to give back to those who do not have, to give back to his neighborhood, to give those who are as he once was.

I compiled a film with some of the documentary’s testimonies, and combined them with fragments of pop diva Madonna‘s 2006 Confessions Tour. I know that her allusion to the crucifixion of Christ – as shown at the ending of this compilation – stirred a lot of controversy, but I hope people are able to see it as an artistic commentary on what happens when deprived people are given voice and rediscover their dignity: it means that the love of Christ, Christ himself, is in our midst. Although some of the youngsters explain their life story in a sacrificial way (in the sense of ‘I had to endure what happened to me to receive a rewarding insight or gift’ – the Nietzschean ‘What doesn’t kill me, makes me stronger’ type of explanation), above all they try to ‘enlighten’ the world with their dance talents. These are really ‘tales of resurrection’ wherein the gift of life is passed on to others. Watch my video compilation right here

– CLICK TO WATCH:

On a personal note, I’d like to end this post by thanking Mr. LaChapelle for allowing me the use of his Intervention picture for the cover of my book (click the title for more information) Vrouwen, Jezus en rock-‘n-roll – Met René Girard naar een dialoog tussen het christelijk verhaal en de populaire cultuur. I truly consider it an honor.

David LaChapelle & Erik Buys