Maria at WYD 2011

In 2005 I had the chance to visit World Youth Day (WYD) in Cologne, Germany, as a participant and mentor of the Jesuit Magis program. It was an enriching experience, to say the least. I met some good souls there…

Today, August 15th 2011, the youth from all over the world is once again invited to celebrate LIFE in a gathering that will last for a couple of days, this time in Madrid, Spain. “Planted and built up in Jesus Christ, firm in the faith…” (cf. Col.2:7) has become the theme phrase of this event.

It’s always been a challenge to have faith. Youngsters are called to keep hope alive for a globalized world which faces many problems (ranging from the issue of increased violence against our natural resources to violence amongst ourselves as human beings). WYD symbolically takes the shape of a little pilgrimage, as it is especially designed for adolescents on the brink of making some fundamental choices in life. Will they be able to make authentic choices for themselves, keeping faith in their own unique gifts, walk the path ahead of them? Or will they base their choices on fear and insecurity, imitating others in a rivaling quest for status, power and wealth – wasting their god-given talents and losing themselves in the process? With these youngsters, we are challenged to listen to others that ‘show us the way’ to freedom and love. One of those others is Jesus of Nazareth, who is called ‘the Christ’ because of his liberating preoccupation and association with victims: “For whosoever will save his life shall lose it: but whosoever will lose his life for my sake, the same shall save it. For what is a man advantaged, if he gain the whole world, and lose himself, or be cast away?” (Luke 9:24-25).

West Side Story (the well known American musical on a script by Arthur Laurents, lyrics by Stephen Sondheim and music by Leonard Bernstein) surely portrays some of the dangers our youth is confronted with today: the temptation to seek recognition from peers in a violent way on the streets (because security appears to be insufficient in traditional surroundings like family), the pressure to stop dreaming of a better future in an increasingly cynical world, and the increasing opposition between representatives of ‘the law’ and ever more frustrated youngsters (just think of the recent upheaval in London).

West Side Story in fact is a modern-day adaptation of Shakespeare’s Romeo and Juliet, set in the upper west side of New York City. The rivaling families of Shakespeare’s tragedy, the house of Montague and the house of Capulet, are replaced in the musical by two competing teenage street gangs, the Puerto Rican Sharks and the white working-class Jets. Sharks and Jets are tied to each other by what René Girard calls ‘mimetic rivalry’: the violence they inflict on each other is always an imitation (mimesis) of the violence by ‘the other party’. In other words, the two groups are guided by revengefulness. As in the story of Romeo and Juliet, the feud (and the play) eventually ends at the expense of victims (and this rings a bell for ‘Girardians’, of course…). The house of Montague and the house of Capulet make peace when they find their children, the lovers Romeo and Juliet, dead in each other’s arms. In West Side Story the Sharks and the Jets quit fighting when Tony, belonging to the Jets, is killed. His body is held by Maria, his lover who belongs to the Sharks and who calls for an end to the violence… In this sense, she lives up to the life-bearing properties ascribed to a biblical counterpart of hers with the same name, Mary, the mother of Jesus.

In a love song for Maria, early on in the play, the character of Tony makes reference to ‘the Holy Mother’, whom Christians traditionally pray to a lot, by uttering the following words:

“Maria! Say it loud and there’s music playing. Say it soft and it’s almost like praying.”

For your listening pleasure I’ve added the song in a special performance by Les Contre-Ténors (The Countertenors), Andreas Scholl, Dominique Visse and Pascal Bertin. These three men are among the top male altos in the world. Listen by clicking here (you won’t be disappointed)


In a world consumed by rivalry and violence, the character of Maria represents today’s youth who faces the challenge of finding new ways to mould the future. Perhaps not coincidentally she carries the name of Mary, the Mother of Jesus. Mary is the biblical figure who gives birth to a ‘Child’ incarnating the hope for a future where people can be vulnerable as children towards each other. Would that be possible, a world where we are no longer guided by the temptation to assert ourselves in exploiting the other’s so-called weaknesses?

Today, the Catholic Church celebrates the Assumption of Mary, the traditional story of the bodily taking up of the Virgin Mary into Heaven at the end of her life. According to this story, the apostle Thomas was the only witness of the assumption of Mary. During the event Thomas is said to have received Mary’s girdle. In this way, Mary helps him to convince the other apostles, who were skeptical at first, that his account of Mary’s assumption is indeed truthful. So, in the Assumption story Mary becomes a cornerstone of faith, transforming the once doubtful apostle Thomas who couldn’t believe in Christ’s resurrection (see John 20) in a person who enables others to ‘have faith’.

By imitating biblical and other stories of faith in the Christian tradition, WYD 2011 aims to support and inspire youngsters in their quest for a peaceful future that’s not built by sacrificing other human beings. The story of Christ indeed ultimately is the story of a Victim who ‘returns’ to ‘turn the other cheek’, so the age-old mechanism of ‘an eye for an eye’ violence might end before it only provisionally comes to a halt at the expense of more victims.

To end this post, I’d like to dedicate a prayer to the young Maria’s of West Side and other dangerous places, to these ‘mothers of tomorrow’ who carry life and hope within them. They will have to guide us with their girdles, like some Ariadne, out of the labyrinths of our trials and tribulations. I chose a prayer from the famous Llibre Vermell de Montserrat, a 14th century collection of songs and prayers, kept in the Benedictine abbey Santa Maria of Montserrat (near Barcelona in Catalonia, Spain). The songs are especially fit for pilgrims, even the contemporary ones at WYD. This becomes clear by what the anonymous compiler himself writes on why he made the manuscript:

Quia interdum peregrini quando vigilant in ecclesia Beate Marie de Monte Serrato volunt cantare et trepudiare, et etiam in platea de die, et ibi non debeant nisi honestas ac devotas cantilenas cantare, idcirco superius et inferius alique sunt scripte. Et de hoc uti debent honeste et parce, ne perturbent perseverantes in orationibus et devotis contemplationibus.


“Because the pilgrims wish to sing and dance while they keep their watch at night in the church of the Blessed Mary of Montserrat, and also in the light of day; and in the church no songs should be sung unless they are chaste and pious, for that reason these songs that appear here have been written. And these should be used modestly, and take care that no one who keeps watch in prayer and contemplation is disturbed.”

Maybe the prayer Mariam Matrem Virginem can bring pilgrims together, even closing the gap between those belonging to ‘the house of Barcelona’ and the traditional rivals of ‘the house of Madrid’. It definitely wants to convey the spirit behind the ‘Black Madonna’, a beautiful statue of the Virgin Mary (probably from the late 12th century). In 1522, Ignatius of Loyola laid down his arms for her and began a new life, turning away from his ‘violent ways’. As is known, he eventually became the founder of the Jesuit order… So, for those of you in search of magis (‘more’), a new life of faith, hope and life giving grace, I added the Mariam Matrem Virginem. To see the score, click here (pdf). To read the lyrics with translation, click here (pdf). To listen to the song in a performance by Hespèrion XXI under the direction of Jordi Savall, click the following



  1. midaevalmaiden · August 16, 2011

    of all the teachings I have heard, Thomas has always been represented in a bad light, or as an object lesson of what not to do. I had never before heard mention of the girdle.

    a girdle worn around her body. It seems to speak of her lifes labors, her sorrow, her hopes. or so I perceive. yes? I have often wondered how hard her life must have been, given who her son was.

    Hope you a fruitful time at that gathering.


    • erik buys · August 16, 2011

      From The Passing of Mary , the apocryphal writing which tells that particular story about the apostle Thomas: “Then the most blessed Thomas was suddenly brought to the Mount of Olivet, and saw the most blessed body going up to heaven, and began to cry out and say: O holy mother, blessed mother, spotless mother, if I have now found grace because I see thee, make thy servant joyful through thy compassion, because thou art going to heaven. Then the girdle with which the apostles had encircled the most holy body was thrown down from heaven to the blessed Thomas. And taking it, and kissing it, and giving thanks to God, he came again into the Valley of Jehoshaphat. He found all the apostles and another great crowd there beating their breasts on account of the brightness which they had seen. And seeing and kissing each other, the blessed Peter said to him: Truly thou hast always been obdurate and unbelieving, because for thine unbelief it was not pleasing to God that thou shouldst be along with us at the burial of the mother of the Saviour. And he, beating his breast, said: I know and firmly believe that I have always been a bad and an unbelieving man; therefore I ask pardon of all of you for my obduracy and unbelief. And they all prayed for him. Then the blessed Thomas said: Where have you laid her body? And they pointed out the sepulchre with their finger. And he said: The body which is called most holy is not there. Then the blessed Peter said to him: Already on another occasion thou wouldst not believe the resurrection of our Master and Lord at our word, unless thou went to touch Him with thy fingers, and see Him; how wilt thou believe us that the holy body is here? Still he persists saying: It is not here. Then, as it were in a rage, they went to the sepulchre, which was a new one hollowed out in the rock, and took up the stone; but they did not find the body, not knowing what to say, because they had been convicted by the words of Thomas. Then the blessed Thomas told them how he was singing mass in India—he still had on his sacerdotal robes. He, not knowing the word of God, had been brought to the Mount of Olivet, and saw the most holy body of the blessed Mary going up into heaven, and prayed her to give him a blessing. She heard his prayer, and threw him her girdle which she had about her. And the apostles seeing the belt which they had put about her, glorifying God, all asked pardon of the blessed Thomas, on account of the benediction which the blessed Mary had given him, and because he had seen the most holy body going up into heaven. And the blessed Thomas gave them his benediction, and said: Behold how good and how pleasant it is for brethren to dwell together in unity!”

      There’s a world of stories out there, with archetypes showing us fundamental truths about ourselves, about ‘the human condition’. Unfortunately I’m not attending WYD this year, but that gives me some time to explore ‘unknown stories’, doesn’t it? The girdle indeed is a powerful symbol, enabling us to generate meaning, associate different realities and share common experiences. I guess the story as a whole is interesting and sharpens our ‘spirit’…


      • midaevalmaiden · August 17, 2011

        ah, interesting. I think I’ll refresh my memory and go find an apocrypha. Its been so long I’m sure I’ll see it with new eyes. I had laid it down when my ‘then’ circle of teachers frowned on it. Though I still remember certain stories from it. Like the falling down statues and the resurrected birds.


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